Fable-Gigi Perez

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Quality ⭐⭐⭐⭐⭐

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Artist | Gigi Perez

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Similar | Katseye, Lizzy McAlpine, Sydney Rose, Clairo, Ethel Cain, Annabelle Dinda, Samantha Ebert, Tom Odell, Lauren Spencer-Smith, Paris Paloma, Keshi, Wasia project, Audrey Hobert, Billie Marten, Liana Flores, Ren, Bruno Mars, Olivia Dean, Raye, Sam Smith, Laufey, Steve Lacy, Geordie Greep, beabadoobee, Mitski, Jacob Collier, Meghan Trainor, John Legend, Bill Withers, Céline Dion

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Genre | Pop Folk

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Score | Piano Lyrics Chords

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Hi, I am Rita. I transcribe piano scores for pop music with minimal technical demand as close to the original as possible. Sheet music for songs have lyrics and harmonic chords on.

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🎹 A score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

💽 I added an mp3 file as well.

“Fable” Sheet Music

A twelve-note scale and a metered sheet music isn't capable to express the sound of “Fable” with its layered vocal and inflections of electronic instruments.

The track is transcribed in the original key, B Flat Major, and uses only the tonic chord with different bass notes and extensions: B♭/E♭ B♭/G B♭^sus2. B♭^sus can be spelled as B♭^add9+11

The chord change is cyclical and doesn't change.

“Fable” is composed with a straight rhythm in duple compound time 6/8. I doubled note values to make sightreading easier for beginners.

Why does it matter that it's not written in waltz-like 3/4? Because 6/8 has 2 strong beats per measure and 3/4 has three strong beat per measure. You only stressing the first note in each measure.

The composition has seven 16-measure long parts and has no verses/choruses. I put every part of a separate page.

Learn the left hand first and avoid learning both hands together in the very beginning. Patience is a virtue. Otherwise you will fail immediately and abandon the score.

The left-hand maintains movement with chords and arpeggios imitating guitar strumming.

The right hand imitates vocal delivery by Gigi Perez: a predominant articulation is tenuto.

Pitch inflections (slurred notes) are played quietly. I added the backing vocal on the ossia stave. Don't play it on piano.

The aesthetic value of the track suffers due to lack of time spent on harmonization and composing.

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