Haunted - フィービー・ブリジャーズ (lyrics) by RITA B

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RITA B

Haunted (lyrics)-フィービー・ブリジャーズ

Name: Haunted - フィービー・ブリジャーズ (lyrics) by RITA B
Brand: ココロはミュージシャン
SKU: 207510
Price: 500 JPY
Availability: InStock
Author: RITA B

ピアノ

中級

コンビニ印刷可

500円

オーディオファイル提供
演奏動画
難易度: 中級
5ページ

主要情報

楽器 1: ピアノ
ページ数: 5
難易度: 中級
楽譜の種類: １段楽譜
編成: ソロ
歌詞有無: 有り
コード有無: 有り
調: 調号なし
拍子: 4/4
テンポ: 156bpm
小節: 134小節
音域: C2 – C5

内容

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Quality ⭐⭐⭐⭐⭐

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Artist | Phoebe Bridgers

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Genre | Pop Rock Folk

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Score | Piano Lyrics Chords (with Violin breaks)

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Hi, I am Rita. I transcribe piano scores for pop music with minimal technical demand as close to the original as possible. Sheet music for songs have lyrics and harmonic chords on.

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“Haunted” Sheet Music

🎹 A score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

💽 I added an mp3 file as well.

🗝️ The track is transcribed in the original key C Major.

🔠 Chords are F C G Aₘ. This simple progression brings a sense of home, even though a haunted one.

The progression is everchanging, it barely repeats. I don't think it is easy to memorize the progression.

Sync your pedaling to the harmony: hold the sustain pedal for the chord duration.

Tempo is 80 beats per minute. I doubled note values.

Structural parts are separated by a double bar line (‖). Work on hardest parts more than on easier ones.

Add fingering in dense places

The right hand plays a melody. The endearing melody benefits from legato. Count out loud at least in the beginning. Focus on differences in touch and attack: articulation (legato vs. staccato) and dynamics (loud vs. quiet). Put down personal 𝓟 - 𝓕 and < - > markings. Play the first half of any phrase louder than the last half. Accentuate the highest-pitched note in a phrase. Wherever you see a slur (♪⁀♪), play the second slurred note very quietly.

The left hand is gentle but accent strong beats. Keep the upper notes (played by the strong thumb) lighter and the lower notes (played by the weak pinky finger) louder. Prominence to the bass notes helps the harmonies to make sense. Put fingers close to the black keys. If you feel fatigue in the left hand, modify the score: leave out notes, transfer the top notes to your right hand, arpeggiate or break the chord in an upward pattern (but remember that playing arpeggios will make the sound seem louder without actually being loud.) Move and rotate the wrist, elbow, and forearm.

Pedal twice per measure or more. Delay pedal pressing for milliseconds to weaken the resonance. Remove the pedal wherever you see a rest symbol.

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