C'est la vie (2 pdfs: duet+solo) - Claude

Claude - C'est la vie (2 pdfs: duet+solo) by RITA B

Claude - C'est la vie (2 pdfs: duet+solo) by RITA B - Page 2

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RITA B

C'est la vie (2 pdfs: duet+solo)-Claude

Name: Claude - C'est la vie (2 pdfs: duet+solo) by RITA B
Brand: ココロはミュージシャン
SKU: 166357
Price: 500 JPY
Availability: InStock
Author: RITA B

ピアノ, ボーカル

中級

コンビニ印刷可

500円

オーディオファイル提供
演奏動画
難易度: 中級
5 ページ数

主要情報

楽器 2: ピアノボーカル
ページ数: 5
難易度: 中級
楽譜の種類: ３段楽譜
編成: アンサンブル
歌詞有無: 有り
コード有無: 有り
調: A 長調
拍子: 12/8
テンポ: ♩=141~188
小節: 78小節
音域: A2 – C♯6

内容

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Quality ⭐⭐⭐⭐⭐

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Artist | Claude

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Genre | Pop Ballad

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Score | Duet Piano + Voice

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Hi, I am Rita. I transcribe piano scores for pop music with minimal technical demand as close to the original as possible. Sheet music for songs have lyrics and harmonic chords on.

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“C'est la vie” Sheet Music

The Netherlands for Eurovision 2025.

🎹 Notice that there are 3 files attached: leadsheet, solo and duet. With no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

💽 I added an mp3 file as well.

The track is transcribed in the original key, F Sharp Harmonic Minor, and uses a simple chord progression but with a lot of inversions and extensions. It is a very sad key, especially in its harmonic mode. Extended chords create a unique sound that allows to stand out in the songs' competitions.

Its cyclical chord change (loop) highlights melodic development.

The vocals are typed using the suboctave clef (the treble clef with the numeral 8 below it). Sing one octave lower than written.

“C'est la vie” is composed with a mixed of straight, rubato and swinged rhythm in quadruple time 12/8. Accent strong beats. Notice that the intro is slower than the rest of the song.

I used the original instrumental version to create the piano accompaniment so it's close to the track.

Avoid learning both hands together in the very beginning; you will fail immediately and abandon the score.

Imitates vocal delivery by Claude: a predominant articulation is tenuto.

Avoid precise rhythm, sing freely, use rubato and fermata (𝄐) here and there.

The melody is with sudden changes of rhythmic pattern. I spent two days rewriting it from 4/4 to 6/8 to 3/4 and finally realizing that 12/8 will be a perfect time to notate all patterns that Claude and his co-composers used.

Notice arpeggiato.

Much of the song’s aesthetic value is generated through stepwise motion that reminds of human speech.

EUROVISION ARCHIVE

2026

Dara — Bangaranga https://www.kokomu.jp/sheet-music/bangaranga-dara-139445

Alexandra Capitanescu — Choke Me https://www.kokomu.jp/sheet-music/choke-me-alexandra-capitanescu-147540

Sal Da Vinci — Per sempre sì https://www.mymusic5.com/rita-b/360146

Akylas — Ferto https://www.kokomu.jp/sheet-music/ferto-akylas-176502

Linda Lampenius, Pete Parkkonen — Liekinheitin https://www.kokomu.jp/sheet-music/liekinheitin-linda-lampenius-pete-parkkonen-2-pdf-149727

Delta Goodrem — Eclipse https://www.kokomu.jp/sheet-music/eclipse-delta-goodrem-187302

Alis — Nân https://www.mymusic5.com/rita-b/343895

Satoshi — Viva, Moldova https://www.mymusic5.com/rita-b/349242